Star Wars The Last Jedi has a large burden on its shoulders. The 2017 film is not only the highly anticipated follow-up to Abrams' rousing and wildly successful 2015 revival of the Star Wars franchise, The Force Awakens, it also has The Empire Strikes Back looming over its head. The 1980 film has long been held up as the high watermark of sequels, let alone the peak of the Skywalker saga. How can any new Star Wars movie hope to measure up to such a pinnacle? The answer arriving this weekend presents a self-aware mirror image of the 1980 film, and pushes its familiar characters further than ever before. The Last Jedi, amazingly, moves above and beyond its predecessor, just like The Empire Strikes Back did decades your sake, and not just to placate the Disney/Lucasfilm empire, it's best to know as little as possible going into The Last Jedi. As the closing moments of The Force Awakens suggested, the orphaned young scavenger Rey Daisy Ridley begins here by reaching out to the reclusive Luke Skywalker Mark Hamill on the mysterious island where he's lived in solitude for years. Elsewhere, Finn John Boyega, Poe Dameron Oscar Isaac, General Leia Organa the late Carrie Fisher, and the rest of the Resistance attempts to ward off the ever-encroaching First Order despite their dwindling numbers. The rest is worth discovering for there is a lot more going on here, much to the credit of writer/director Rian Johnson. In recent days, this film has made at least a couple of headlines for being the longest film yet in the Star Wars franchise, clocking in at over 150 minutes. Johnson uses that length to his advantage, introducing us to new characters and planets without giving them short shrift. Rey, Finn, Poe, and the other characters are all here, but newbies like Rose Kelly Marie Tran and Vice Admiral Holdo Laura Dern and even the more mysterious figures from the previous film like the menacing Snoke Andy Serkis get a brief spotlight. And new locations like a planet dominated by a flashy casino-like city and a salt-mine base offer both stunning visuals and commentaries on modern Last Jedi is at its best when it aims to upend expectations. Rey's desire to get answers from Luke is quickly thrown into disarray as it becomes clear how he's become used to isolation over time, as punishment for his past misdeeds. But even in early moments like when the Resistance tries to pull a fast one on the First Order, Johnson proves most adept at poking holes in any perceived self-seriousness in this sometimes operatic franchise. Even without the series' constant source of quips Han Solo, The Last Jedi is disarmingly funny even as it depicts dark, intense as with The Force Awakens, one of this film's core strengths is its solid casting. Adam Driver, Daisy Ridley, Oscar Isaac, and John Boyega are once again exciting to watch, as the new core group is broken apart. How Johnson is able to get a specific but unnamed in this review two of those four to talk to each other, in a sense, is not only very clever, but it has a great payoff. Tran, as the big new character Rose, is as charming to watch for the first time as Ridley and Boyega were two years ago. Through Rose, we see another overtly political argument seeded in the franchise, depicting the haves and have-nots in pointed and timely there's also a ton of action here, befitting both the larger franchise and Johnson's past work. One major fight scene heavily recalls a slow-motion setpiece from Johnson's 2012 science-fiction film Looper. Amidst the drama, the air and space battles grow in intensity. There's also a few lightsaber tete-a-tetes that rank among the more shocking moments in the that's the most exciting part of the very exciting The Last Jedi after 40 years, the Star Wars series knows how to be surprising. Rian Johnson slips so easily into writing and directing within this world that it's both thrilling to imagine more of his vision in this universe, and a little disappointing that he won't direct the conclusion. But he has at least helped bring The Last Jedi to fruition. It's not just a rollicking and entertaining follow-up to The Force Awakens; The Last Jedi is the best Star Wars film since The Empire Strikes Back, and is awful close to being its equal./Film Rating 9 out of 10
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StarWars: The Last Jedi (2017) iLK21 LayarKaca21PG-13 Genre: Action, Adventure, Fantasy, Science FictionYear: 2017 Duration: 152 Min. 3155 votes, average 7.2 out of 10. Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle
Writer/director Rian Johnson’s “Star Wars The Last Jedi” is a sprawling, incident- and character-packed extravaganza that picks up at the end of “Star Wars Episode VII - The Force Awakens” and guides the series into unfamiliar territory. It’s everything a fan could want from a “Star Wars” film and then some. Even the sorts of viewers who spend the entire running time of movies anticipating every plot twist and crowing “called it!” when they get one right are likely to come up short here. But the surprises usually don’t violate the admittedly loose internal logic of the universe George Lucas invented, and when they seem to, it’s because the movie has expanded the mythology in a small but significant way, or imported a sliver of something from another variant of Lucas’ creation Genddy Tartakovsky’s magnificent TV series “Clone Wars” seems to have influenced the last act. The first part of “The Last Jedi” cross-cuts between the remnants of our heroes’ ragtag fleet led by the late Carrie Fisher’s Leia running away from the First Order, aka the next-generation version of the Empire; and Rey Daisy Ridley on the aquatic planet Ahch-To gesundheit! trying to convince the self-exiled Jedi master Luke Skywalker Mark Hamill, whose sandblasted face becomes truly iconic in close-ups to overcome his grief at failing a group of young Jedi trainees and rejoin the Resistance. The New Order's Supreme Leader Snoke Andy Serkis plus CGI has grand plans for both Rey and his Darth Vader-obsessed apprentice Kylo Ren Adam Driver. The leathery old coot may not be a great bad guy—he’s too much of a standard-issue deep-voiced sadist, in a Marvel mode—but he is quite the chess player, and so is Johnson. I’m being vague here on purpose. Suffice to say that, despite being comprised of variations on things we’ve been experiencing directly in “Star Wars” films and indirectly in “Star Wars”-inspired entertainment since 1977, “The Last Jedi” still manages to maneuver in unexpected ways, starting with the decision to build a whole film around a retreat where the goal is not to win but to avoid being wiped out. Along that narrative backbone “The Last Jedi” strings what amount to several tight, often hastily devised mini-missions, each of which either moves the heroes or villains closer to their goals or blows up in their faces. The story resolves in lengthy, consecutive climaxes which, refreshingly, don’t play like a cynical attempt to pad things out. Old business is resolved, new business introduced. And from scene to scene, Johnson gives veteran characters Chewbacca and R2-D2 especially and those who debuted in “The Force Awakens” enough screen time to showcase them at their best while also introducing compelling new faces including a heroic maintenance worker, Kelly Marie Tran’s Rose Tico; a serene and tough vice admiral in the Resistance, played by Laura Dern; a sort of “safecracker” character played by Benicio Del Toro. “Jedi” does a better job than most sequels of giving the audience both what it wants and what it didn’t know it wanted. The movie leans hard into sentiment, most of it planted in the previous installment, some related to the unexpected passing of one of its leads Fisher—thank goodness they gave her a lot of screen time here, and thrilling things to do. But whenever it allows a character to cry or invites us to the catharsis feels earned. It happens rather often—this being a film preoccupied with grieving for the past and transcending it, populated by hounded and broken people who are afraid hope will be snuffed out. Rey’s anguish at not knowing who her parents are and Kylo Ren’s trauma at killing his own father to advance toward his "destiny" literally as well as figuratively mirror each other. Lifting a bit of business glimpsed briefly in “The Empire Strikes Back” and "Return of the Jedi," Johnson lets these all-powerful characters telepathically “speak” to each other across space as easily as you or I might Skype with a friend. This gimmick offers so much potential for drama and wry humor that you might wonder why nobody did it earlier. Sometimes "The Last Jedi" violates our expectations in a cheeky way that stops short of telling super-fans to get over themselves. There’s a touch of “Spaceballs” and “Robot Chicken” to some of the jokes. Snoke orders Kylo to “take off that ridiculous helmet,” Luke chastises an old friend for showing a nostalgic video by muttering “That was a cheap move,” and an early gag finds one of the heroes calling the bridge of a star destroyer and pretending to be stuck on hold. This aspect adds a much-needed dash of self-deprecating humor “The Force Awakens” was often a stitch as well, especially when Han Solo, Chewbacca, BB-8 and John Boyega’s James Garner-like hero/coward Finn were onscreen, but without going so meta that "The Last Jedi" turns into a smart-alecky thesis paper on itself. The movie works equally well as an earnest adventure full of passionate heroes and villains and a meditation on sequels and franchise properties. Like “The Force Awakens,” only more so, this one is preoccupied with questions of legacy, legitimacy and succession, and includes multiple debates over whether one should replicate or reject the stories and symbols of the past. Among its many valuable lessons is that objects have no worth save for the feelings we invest in them, and that no individual is greater than a noble idea. Johnson has made some very good theatrical features, but the storytelling here owes the most to his work on TV’s “Breaking Bad,” a playfully convoluted crime drama that approached each new installment with the street illusionist’s panache the source of delight was always in the hand you weren’t looking at. There are points where the film appears to have miscalculated or made an outright lame choice this becomes worrisome in the middle, when Dern’s Admiral Holdo and Oscar Isaac’s hotshot pilot Poe Dameron are at loggerheads, but then you realize that it was a setup for another payoff that lands harder because you briefly doubted that “The Last Jedi” does, in fact, know what it’s doing. This determination to split the difference between surprise and inevitability is encoded in “The Last Jedi” down to the level of scenes and shots. How many Star Destroyers, TIE fighters, Imperial walkers, lightsabers, escape pods, and discussions of the nature of The Force have we seen by now? Oodles. But Johnson manages to find a way to present the technology, mythology and imagery in a way that makes it feel new, or at least new-ish, starting with a shot of Star Destroyers materializing from hyperspace in the sky over a planet as seen from ground level and continuing through images of Rebel ships being raked apart by Imperial cannon fire like cans on a shooting range and, hilariously, a blurry video conference in which the goggle-eyed warrior-philosopher Maz Kanata voiced by Lupita Nyong'o delivers important information while engaging in a shootout with unseen foes. She calls it a “union matter.” There’s greater attention paid here to color and composition than in any entry since “The Empire Strikes Back.” Particularly dazzling are Snoke’s throne room, with its Dario Argento-red walls and red-armored guards, and the final battle, set on a salt planet whose flat white surfaces get ripped up to reveal shades of crimson. Seen from a distance, the battlefield itself seems to be bleeding. The architecture of the action sequences is something to behold. A self-enclosed setpiece in the opening space battle is more emotionally powerful than any action sequence in any blockbuster this year, save the "No Man's Land" sequence of "Wonder Woman," and it's centered on a character we just met. There are spots where the film can’t figure out how to get the characters to where it needs them to be and just sort of shrugs and says, “And then this happened, now let’s get on with it.” But there are fewer such moments than you might have gone in prepared to forgive—and really, if that sort of thing were a cinematic crime, Howard Hawks would have gotten the chair. Most importantly, the damned thing moves, both in a plot sense and in the sense of a skilled choreographer-dancer who has visualized every millisecond of his routine and practiced it to the point where grace seems to come as easily as breathing. Or skywalking. Matt Zoller Seitz Matt Zoller Seitz is the Editor at Large of TV critic for New York Magazine and and a finalist for the Pulitzer Prize in criticism. Now playing Film Credits Star Wars The Last Jedi 2017 Rated PG-13 for sequences of sci-fi action and violence. 152 minutes Latest blog posts about 4 hours ago about 7 hours ago about 8 hours ago 1 day ago Comments
Namun kali ini, tidak bisa dipungkiri bahwa Star Wars: The Last Jedi adalah entri yang lumayan mengecewakan di saga Star Wars. Subplot pertama mengenai kisah antara tiga tokoh utama di The Last Jedi yaitu Rey, Kylo, dan Luke mungkin merupakan salah satu (atau satu-satunya?) poin terkuat di sekuel ini. Rian Johnson selaku penulis naskah dan sutradara bisa dibilang berhasil dalam mengembangkan hubungan antara ketiga karakter ini menuju arah yang tidak kita duga sebelumnya.
Andira Putri 13 Desember 2017 1010 WIB - Sejumlah film Hollywood siap rilis menjelang Tahun Baru 2018. Salah satunya Star Wars The Last Jedi. Film kedelapan Star Wars ini mulai tayang di Indonesia pada Rabu 13/12. The Last Jedi menghadirkan kisah yang langsung berhubungan dengan akhir film Star Wars sebelumnya, The Force Awakens. Rey Daisy Ridley pergi meninggalkan kelompok Resistance dan mengunjungi planet terpencil. Rey ingin bertemu dengan Luke Skywalker Mark Hamill, sosok yang dipercaya sebagai Jedi terakhir namun telah lama menghilang. Pertemuan Rey dan Luke Skywalker tidak meninggalkan kesan baik. Luke Skywalker bersikap acuh sekaligus dingin. Meski begitu, sikap Luke Skywalker tidak membuat Rey patah semangat. Rey terus berusaha meminta bantuannya. Apalagi Rey juga penasaran tentang kekuatan besar yang menghubungkannya dengan Kylo Ren Adam Driver, penjahat yang menjadi salah satu pimpinan First Order. Kekuasaan First Order memang muncul kembali dan menebar ancaman. Mereka berambisi untuk menyerang Resistance yang dipimpin oleh Jenderal Leia Carrie Fisher. Kebangkitan First Order membuat Rey harus segera membujuk Luke Skywalker untuk ikut berjuang dengan Resistance. Di sisi lain, sejumlah anggota Resistance seperti Poe Dameron Oscar Isaac, Finn John Boyega, dan Rose Kelly Marie Tran mencari cara ampuh untuk melawan First Order. Mampukah mereka mengalahkan kekuatan jahat? The Last Jedi memberikan perspektif berbeda dalam kisah Star Wars. Sutradara sekaligus penulis cerita Rian Johnson menggambarkan jika kekuatan baik dan jahat kini tidak bersifat mutlak dalam diri seseorang. Posisinya bisa saja karena alasan tertentu. Pergulatan antara kebaikan dan kejahatan memberikan dasar cerita menarik untuk The Last Jedi. Pilihan hidup setiap karakter memiliki dampak terhadap cerita dan terkadang berujung pada twist tak terduga. Konflik baik dan jahat juga memberikan detail kuat terhadap penokohan karakternya. Ini didukung oleh akting baik para pemain terutama Mark Hamill, Adam Driver, dan Daisy Ridler. Kisah The Last Jedi semakin seru dengan parade adegan aksi. Rian Johnson memberikan klimaks yang sanggup membuat penonton geregetan. Ini ditambah kehadiran visualisasi indah dengan warna-warna tajam. Sayang, kebimbangan soal pilihan baik dan jahat berpengaruh terhadap ritme cerita. Sejumlah bagian The Last Jedi terlalu panjang dan tidak berkesudahan. Padahal durasi film kedelapan Star Wars ini sebenarnya bisa diringkas hingga tidak mencapai jam. dira/ari
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StarWars The Last Jedi - Di kalangan pencinta film, Star Wars adalah salah satu film bersekuel yang rasanya wajib ditonton. Sembilan sekuel yang dirilisnya memakan waktu 42 tahun. Episode pamungkasnya hadir di tahun 2019 lalu. Sebelum episode pamungkas, ada Star Wars The Last Jedi yang dirilis di dua tahun sebelumnya, yakni di tahun 2017 lalu.
Ano 2017 Título Original Star Wars The Last Jedi Dirigido por Rian Johson Avaliação ★★★★★ Excelente Definir qual Star Wars é o melhor de todos os tempos é bastante relativo e também uma experiência bastante pessoal. Se Os Últimos Jedi é ou está entre os melhores, na verdade, é o fator menos relevante ele é um filme com toda a essência da saga e que faz a ponte definitiva entre gerações da série, seja em sua própria estória como na relação com os fãs. Se tem algo que O Despertar da Força – seu antecessor – possui é uma relação mais estreita com a trilogia clássica em diversos aspectos, inclusive basicamente repetindo toda a fórmula do capítulo IV Uma Nova Esperança, o que não é um ponto negativo, mas ainda demonstrava, talvez, receio por parte de seus criadores e produtores para se trilhar um novo caminho para Star Wars. Star Wars Os Últimos Jedi dá maior voz à nova geração de personagens da saga, que conduzirão o destino da franquia nos próximos anos. Com uma trama direcionada neste sentido, tende a agradar gregos e troianos, fãs antigos e novos, fechando o ciclo de alguns personagens e proporcionando maior empatia e profundidade à Rey, Finn e cia. O filme se passa diretamente após o capítulo VII, com a Primeira Ordem seguindo no encalço da Aliança Rebelde e Rey em busca de Luke, tentando convencê-lo a aliar-se a rebelião e salvar a Galáxia. Luke, no entanto, recusa-se a encarar tal empreitada, afirmando que seu ciclo – e os do Jedi – já chegara ao fim. Dentre todos os capítulos de Star Wars, Os Últimos Jedi talvez seja um dos que melhor abordam o conflito espacial, proporcionando cenas épicas de tirar o fôlego e ótimas reviravoltas, além das batalhas incríveis. É também um filme sobre autodescoberta, onde, de certa forma, todos os personagens acabam compreendendo melhor seu papel na guerra e no universo. E, como não poderia ser diferente, destaque para Rey e Kylo Ren, que aqui entram definitivamente para o hall dos personagens memoráveis da saga. Se o longa possui algum ponto negativo, com muito esforço este talvez se encontre no número de piadas, que em algum momento podem soar desnecessárias, mas incapazes de afetar a experiência do filme. Experiência esta que se torna maravilhosa em uma enorme tela de cinema, dada a fotografia espetacular – uma das melhores já vistas nas telonas e que, possivelmente, deve render uma indicação à Academia. Que a Força esteja com Star Wars por muitos e muitos anos! Confira outras resenhas de filmes aqui. Siga o Meta Galáxia nas redes sociais!
SinopsisStar Wars the Last Jedi: Dugaan Skenario. Menyoal synopsis ini, sayangnya jika kita melihat plot dari Star War the Force Awakens maka akan terdapat sebuah kesimpulan seperti ini: "Petualangan lebih jauh dari seorang Luke Skywalker (Mark Hamill), Leia (Carrie Fisher) dan Rey (Daisy Ridley)" Tentu saja kesimpulan itu masih terlalu umum.
LIVRE 152 minutos DireçãoTítulo originalStar Wars The Last Jedi Gênero Ano2017País de origemEUACríticaLeitoresOnde AssistirSinopseApós encontrar o mítico e recluso Luke Skywalker em uma ilha isolada, a jovem Rey busca entender o balanço da Força a partir dos ensinamentos do mestre Jedi. Paralelamente, o Primeiro Império de Kylo Ren se reorganiza para enfrentar a Aliança mundo de Star Wars, nessa mitologia criada por George Lucas, as coisas sempre foram bastante dicotômicas, vide a centralidade da luta entre a luz e o lado negro da Força. Portanto, é, antes de tudo, passível de celebração a abordagem do cineasta Rian Johnson, também autor do roteiro de Star Wars Os Últimos Jedi, justamente porque a partir deste capítulo os arranjos tendem a não ser mais como antes, pois é instaurada uma bem-vinda área cinzenta. Tal guinada alinha uma das franquias mais importantes do cinema aos novos tempos, dando sequência ao trabalho bem feito por J. J. Abrams e companhia em Star Wars O Despertar da Força 2015, ampliando a sensação de sincronia com as demandas do agora. Aliás, outro indício disso é a pluralidade étnica presente entre os pilotos da Resistência que se lançam num ataque praticamente suicida para evitar a aniquilação pela nefasta Primeira Ordem, isso no começo do filme. É uma cena de ação que carrega dramaticidade, um desespero cenário é desolador. A galáxia está praticamente tomada pela horda de Snoke Andy Serkis. Os rebeldes comandados pela General Leia Organa Carrie Fisher estão irremediavelmente encurralados, a mercê do poderio encabeçado no campo de batalha pelo General Hux Domhnall Gleeson e pela figura cada vez mais imponente e poderosa de Kylo Ren Adam Driver. Star Wars Os Últimos Jedi, se desenvolve, na maior parte do tempo, em diversas frentes. Fazendo alusão a um expediente clássico da franquia, há uma missão de invasão, de sucesso improvável. O realizador, porém, consegue ressaltar a bravura de quem arrisca a própria vida em função do ideal. Finn John Boyega ganha uma parceria carismática e tão corajosa quanto ele. Rose Kelly Marie Tran tem seus motivos para ir à luta e encontra no ex-stormtrooper um companheiro valoroso, com quem sua personalidade casa bem. Embora represente o elo frágil da narrativa, o encargo deles é imprescindível para o êxito de planeta sagrado dos Jedi, Rey Daisy Ridley tenta extrair do lendário Luke Skywalker Mark Hamill os ensinamentos acerca da Força, querendo aprender os passos para se tornar uma guerreira apta a tentar obliterar o lado sombrio representado pelo colérico filho do falecido Han Solo. Aliás, Rian Johnson investe numa ligação curiosa entre o líder da ordem de Ren e a novata em busca de orientação. É inteligente a maneira como o filme, em numerosos momentos, nos leva a acreditar na proximidade da verdade acerca da origem de Rey, num jogo cujo verdadeiro propósito é, exatamente, estabelecer uma ponte entre a luz e a escuridão, criando um espaço intermediário, ideal para a instituição de uma densidade psicológica e emocional pouco vista na Saga Star Wars. Luke também faz parte dessa ciranda, deixando expostas as suas fraquezas, depondo a si próprio do pedestal que a História da galáxia reservou a ele. Star Wars Os Últimos Jedi atinge um fino equilíbrio entre ação e drama, algo raro em meio à tragédia anunciada, com a Resistência acossada, Rian Johnson abre espaço para brechas cômicas, bem assentadas no todo. Além disso, a reverência ao legado de Star Wars está presente em vários instantes, como no reaparecimento emblemático de alguém importante – atentem para a forma assumida por esse personagem tão querido – e alusões menores a episódios marcantes de filmes anteriores. Perguntas formuladas desde Star Wars Episódio IV – Uma Nova Esperança 1977 são finalmente respondidas, reviravoltas impressionantes criam a possibilidade de novos e empolgantes cenários, além da haver despedidas de gente cara aos fãs da cinessérie. Star Wars Os Últimos Jedi é, em certa medida, um filme de atores, haja vista a coesão do elenco. Mas, Daisy Ridley e Adam Driver sobressaem, provando que podem, muito bem, assumir a dianteira da Saga Star Wars, sem prejuízos, pelo contrário, apontando ao novo, mas reverenciando as duas abas seguintes alteram o conteúdo PostsJornalista, crítico de cinema e membro da ABRACCINE Associação Brasileira de Críticos de Cinema,. Ministra cursos na Escola de Cinema Darcy Ribeiro/RJ e no Sesc/RJ. Participou como autor dos livros "100 Melhores Filmes Brasileiros" 2016, "Documentários Brasileiros – 100 filmes Essenciais" 2017 e "Animação Brasileira – 100 Filmes Essenciais" 2018. Editor do Papo de crítica
StarWars: Episode VIII - The Last Jedi: Directed by Rian Johnson. With Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley. The Star Wars saga continues as new heroes and galactic legends go on an epic adventure, unlocking mysteries of the Force and shocking revelations of the past.
JAKARTA - Setelah dinantikan sekian lama, Star Wars The Last Jedi akhirnya bisa dinikmati para pencintanya di Tanah Air. Di Indonesia, film ini sudah bisa disaksikan di bioskop kesayangan Anda. The Last Jedi adalah kelanjutan dari kisah The Force Awakens yang diluncurkan pada 2015 lalu. Di Star Wars Episode VII itu, Han Solo yang diperankan Harrison Ford tewas dibunuh Kylo Ren Adam Driver yang sebenarnya adalah anaknya sendiri, yaitu Ben Solo, buah cintanya degan Putri Leia Carrie Fischer. Di The Last Jedi, Luke Skywalker Mark Hamill mengasingkan diri ke Acht-To, sebuah pulau tempat pertama kali kuil Jedi didirikan. Rey Daisy Ridley berhasil menemukannya dan berusaha agar mau kembali berjuang bersama para Pemberontak pimpinan Leia untuk menghancurkan Force yang dipimpin Snoki Andy Serkis. Sementara di antariksa, Pemberontak terus berusaha menghadang serangan Force. Dipimpin Poe Dameron Oscar Isaac yang ambisius tapi kurang perhitungan, mereka kemudian berhasil menghancurkan sebuah pesawat antariksa raksasa milik Force meski harus kehilangan banyak anggotanya dalam misi tersebut. Setelah serangan itu, Pemberontak harus menemukan tempat untuk mendarat karena persediaan bahan bakar mereka yang terus menipis. Bukan perkara mudah karena pasukan Force terus memburu mereka. Finn John Boyega kemudian menemukan ide untuk menyusup ke pesawat utama Force untuk mengulur waktu hingga Pemberontak mendapatkan bantuan atau mendarat. Disetujui oleh Poe dan dibantu Rose Kelly Marie Tran, dia kemudian pergi mencari seorang pemecah kode untuk menghambat pesawat Force. Sementara, Rey yang terus merayu Luke akhirnya menemukan sejarah tentang Jedi dan ingin mempelajarinya. Luke yang awalnya enggan mengajari Rey, akhirnya lulus dan mengajari gadis itu. Di sisi lain, kemampuan Rey untuk berhubungan dengan Kylo Ren terus berkembang. Keduanya sering berkomunikasi dan Rey terus berusaha membujuk agar Kylo berhenti mendukung Force. Sutradara Rian Johnson sepertinya berhasil merajut kisah The Last Jedi menjadi salah satu kisah menarik untuk terus diikuti dari awal sampai akhir. Meskipun terkesan serius, tapi dia juga pintar menyisipkan kekonyolan yang bisa membuat penonton tertawa. Salah satu kekuatan Star Wars tentu adalah perang di antariksa. Dan, The Last Jedi pun tak ketinggalan memamerkan pesonanya. Selama 2 jam 32 menit, perang antara pesawat antariksa pun bakal memanjakan Anda. Dahsyatnya tembak-tembakan dan ledakan pesawat di perang bintang ini pun seolah nyata dan sangat menghibur. Rasanya sangat sayang melewatkan adegan demi adegan dalam film ini. Tepuk tangan penonton selama menyaksikan adegan perang ini bakal menambah seru pengalaman menonton Anda. Tapi, tak hanya itu. Perang light saber pun masih akan terjadi di The Last Jedi ini. Ada perang yang memang harus dilakukan, tapi ada juga perang lightsaber yang terjadi karena emosi yang tak terbendung. Jika Anda ingin mencari tontonan seru yang bisa disaksikan bareng keluarga dan teman, maka Star Wars The Last Jedi adalah jawaban untuk Anda. Gambar yang indah dan adegan action yang dahsyat bakal memanjakan mata Anda. Sementara, kisah-kisah yang menyentuh bakal membuat Anda terlena menyaksikan film ini. Selamat menonton! alv
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